The Raffish Dandy: Spellbound (1945)

and they kiss in his room. Now, I'm a little uncomfortable with one of Hitchcock's conceits here- close-ups of his eyes and then her eyes are followed by a graphic of doors opening. It's all just a little too literal, or is because of the intervening years? ... The tension is maintained superbly for what seems like an age before Bergman is able to retrieve the note- unbearably it is handed to her by Dr Murchison (Leo G. Carroll)- and follow Peck to a hotel in New York. ...